Show me the dirt pile
And I will pray
That the soul can take
Three stowaways
You vanish with no guile
And I will not pay
But the soul can wait
The soul can wait
Your hair is still pretty
What with all these leafs
We'll be fine
We'll be fine
But if it's still pretty
What with all these leafs
We'll be fine... Oh
And supervised
Show me the dirt pile
And I will pray
That the soul can take
Three stowaways
Then you vanish with no guile
And I will not pay
But the soul can wait
I felt you so much today
I know you try
You try straight into my heart
You fly straight into my heart
Girl I know you try
You fly straight into my heart
You fly straight into my heart
But here comes the fault
So much for me believing that soul
So much of dreams to see are not prepared to know
Your heart makes me feel
Your heart makes me moan
For always and ever I'll never let go
Always concealed safe and inside, alive
The men of Interpol have kept us waiting three years for their third album, Our Love to Admire. "Pioneer to the Falls", the disc's moody (what else?) opener, doesn't rush to make its point, either. Nor does it disappoint. A dark, brittle guitar line similar to pre-Turn on the Bright Lights live rarity "Cubed" (also known as "Mascara") joins sparse piano and melancholy strings before Paul Banks' harrowed, Jim Morrison-like voice comes in, again beseeching patience: "The soul can wait." Interpol's rhythm section enters a verse later, then drops to a heartbeat on a bridge that floats in space-- "You fly straight into my heart," Banks croons, distant yet vulnerable-- until at last a trilling guitar solo soars above it all, for an emotional effect similar to the one generated by the solo on Radiohead's "Creep". "I felt you so much today," Banks concludes, as rumbling toms and rising orchestration contrast with that stately opening riff, betraying impatience, perhaps, but no hurry...(Posted by Marc Hogan - Pitchfork)
I can listen to this song over and over, specially that part when he sings: you fly straight into my heart....
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