Agora posso ouvir uma grande variedade de músicas. Como esse dueto entre Stuart Staples e Lhasa, That Leaving Feeling
I get that leaving feeling
This time it's here to stay
I've been weighing up the pulling
And pushing me away
The past is so heavy
But it's something that I can't leave
And this future's so certain
It just pushes me to my knees
Is that your heart talking
Or just that we fight over mine
The people that you love
They change when you leave them behind
But this rope that is pulling
Is whittled down to a thread
And if I don't start climbing
Pretty soon it'll be over my head
We all have dreams of leaving
We all wanna make a new start
Go and pack a little suitcase
With the pieces of our hearts
All those worries and those sorrows
We can just dust them away
Buy a coffee and a paper
And go step on to a train.
But I've been too long wandering
Limping around this town
With everything that's pulling me
It's pulling me further down
Go make all your excuses
Go say all your goodbyes
But take a look in the mirror
It's the hardest one you'll ever find
All those worries and those sorrows
You can just dust them away
Go and find a new tomorrow
And forget about your yesterdays
So you and pat your kids
And kiss your dog goodbye
Leave the keys on the nail
With the sadness that's in your eyes
Maybe tomorrow
Today looks like it's bringing rain
And I'll leave everything in order
I don't want nothing standing in my way
There are jobs needing tending
And logs that are waiting to stack
And I'll leave everything in order
I don't want nothing that's gonna hold me back
sexta-feira, maio 01, 2009
Noite de sexta
Chove. Moleza no corpo. Ouvindo o novo disco do Caetano Veloso. Já elegi a minha favorita:"Sem Cais".Comprei ingresso para o show no Canecão,dia 9,então é bom ir conhecendo as músicas.Estava até lendo o blog dele, o que me levou a escutar o cd do Marcelo Camelo.Ainda não tenho uma opinião.
A semana foi corrida. Segunda, encontro meio que inesperado com H. Ficamos making out. Ele me faz bem.Estava precisando de alguém assim carinhoso.Encontros clandestinos, relação indefinida, vamos ficando.Ontem fomos ver "Origens: Wolverine". Apenas um bom filme de ação com o ator perfeito para o papel: Hugh Jackman.Noossaa, drolling...Depois paramos no café MacDonald's e tomamos um frapê de café.Muito bom!Viemos para casa, que estava limpinha e arrumada. Comprei tulipas, tinha bolo, vinho tinto e ainda fiz um penne à rabiatta.Foi uma noite bem legal, apesar de eu ter ido para a cozinha às 11 da noite. Mas ele foi o culpado, porque we started to kiss in the living room and ended up in bed. It feels good to sleep holding someone who cares.
A semana foi corrida. Segunda, encontro meio que inesperado com H. Ficamos making out. Ele me faz bem.Estava precisando de alguém assim carinhoso.Encontros clandestinos, relação indefinida, vamos ficando.Ontem fomos ver "Origens: Wolverine". Apenas um bom filme de ação com o ator perfeito para o papel: Hugh Jackman.Noossaa, drolling...Depois paramos no café MacDonald's e tomamos um frapê de café.Muito bom!Viemos para casa, que estava limpinha e arrumada. Comprei tulipas, tinha bolo, vinho tinto e ainda fiz um penne à rabiatta.Foi uma noite bem legal, apesar de eu ter ido para a cozinha às 11 da noite. Mas ele foi o culpado, porque we started to kiss in the living room and ended up in bed. It feels good to sleep holding someone who cares.
Marcadores:
love is in the air
quarta-feira, abril 22, 2009
the darker days of me and him
Promises, promises
I'm feeling burned
You taught me a lesson
I didn't want to learn
Why did I come here?
Please tell me again
Why did you ask me?
Don't say you forget
I long for, I long for
I long for my home
I long for a land where
No man was ever known
With no neurosis
No psychosis
No psychoanalysis
And no sadness
I'll pick up the pieces,
I'll carry on somehow
Tape the broken parts together
And limp this love around
PJ Harvey está com álbum e video novos. A Man a Woman Walked by, é o nome do cd que ela lanççou junto com John Parrish. Black hearted
I'm feeling burned
You taught me a lesson
I didn't want to learn
Why did I come here?
Please tell me again
Why did you ask me?
Don't say you forget
I long for, I long for
I long for my home
I long for a land where
No man was ever known
With no neurosis
No psychosis
No psychoanalysis
And no sadness
I'll pick up the pieces,
I'll carry on somehow
Tape the broken parts together
And limp this love around
PJ Harvey está com álbum e video novos. A Man a Woman Walked by, é o nome do cd que ela lanççou junto com John Parrish. Black hearted
The Space Between - Dave Matthews
You cannot quit me so quickly
Is no hope in you for me
No corner you could squeeze me
But I got all the time for you, love
The Space Between
The tears we cry
Is the laughter keeps us coming back for more
The Space Between
The wicked lies we tell
And hope to keep us safe from the pain
But will I hold you again?
These fickle, fuddled words confuse me
Like 'Will it rain today?'
Waste the hours with talking, talking
These twisted game we play
We're strange allies
With warring hearts
What wild-eyed beast you be
The Space Between
The wicked lies we tell
And hope to keep us safe from the pain
Will I hold you again?
Will I hold...
Look at us spinning out in
The madness of a roller coaster
You know you went off like a devil
In a church in the middle of a crowded room
All we can do, my love
Is hope we don't take this ship down
The Space Between
Where you're smiling high
Is where you'll find me if I get tickled
The Space Between
The bullets in our firefight
Is where I'll be hiding, waiting for you
The rain that falls
Splash in your heart
Ran like sadness down the window into...
The Space Between
Our wicked lies
Is where we hope to keep safe from pain
Take my hand
'Cause we're walking out of here
Oh, right out of here
Love is all we need here
The Space Between
What's wrong and right
Is where you'll find me hiding, waiting for you
The Space Between
Your heart and mine
Is the space we'll fill with time
The Space Between...
Is no hope in you for me
No corner you could squeeze me
But I got all the time for you, love
The Space Between
The tears we cry
Is the laughter keeps us coming back for more
The Space Between
The wicked lies we tell
And hope to keep us safe from the pain
But will I hold you again?
These fickle, fuddled words confuse me
Like 'Will it rain today?'
Waste the hours with talking, talking
These twisted game we play
We're strange allies
With warring hearts
What wild-eyed beast you be
The Space Between
The wicked lies we tell
And hope to keep us safe from the pain
Will I hold you again?
Will I hold...
Look at us spinning out in
The madness of a roller coaster
You know you went off like a devil
In a church in the middle of a crowded room
All we can do, my love
Is hope we don't take this ship down
The Space Between
Where you're smiling high
Is where you'll find me if I get tickled
The Space Between
The bullets in our firefight
Is where I'll be hiding, waiting for you
The rain that falls
Splash in your heart
Ran like sadness down the window into...
The Space Between
Our wicked lies
Is where we hope to keep safe from pain
Take my hand
'Cause we're walking out of here
Oh, right out of here
Love is all we need here
The Space Between
What's wrong and right
Is where you'll find me hiding, waiting for you
The Space Between
Your heart and mine
Is the space we'll fill with time
The Space Between...
domingo, março 22, 2009
Radiohead se apresenta no Rio
A estreia não poderia ter sido mais generosa. Em sua primeira apresentação no Brasil, nesta sexta (20) na praça da Apoteose, no Rio de Janeiro, o Radiohead tocou músicas de toda a carreira por mais de duas horas para cerca de 24 mil pessoas, segundo a organização. Como se a catarse coletiva não bastasse, o quinteto inglês encerrou a noite, depois do segundo bis, com o megassucesso “Creep”, que só apareceu recentemente em um show da banda na Cidade do México.
Antes mesmo que subissem ao palco, o aviso exibido nos telões – o grupo pedia que não se usassem flashes nem câmeras fotográficas durante o espetáculo – foi solenemente ignorado. Assim que Thom Yorke (vocais, guitarra, piano), Jonny Greenwood (guitarra), Ed O'Brien (guitarra), Colin Greenwood (baixo, sintetizador) e Phil Selway (bateria, percussão) surgiram, batendo palmas, ao som de “15 step”, todos os celulares já estavam apontados.
“Boa noite, nós somos o Radiohead”, anunciou o vocalista em português. O repertório mesclou faixas do mais novo trabalho da banda, “In rainbows” (2007), com canções mais antigas, a exemplo de “Airbag”, e “Karma police”, do clássico “Ok computer”(1997); “The national anthem”, do disco “Kid A” (2000); ou “There there”, de “Hail to the thief (2003), só para citar a primeira metade do show. Ao vivo, aliás, o grupo deixou claro o motivo pelo qual era (e ainda é, já que a apresentação dos ingleses em São Paulo é neste domingo, 22) uma das atrações mais aguardadas por aqui.
Do alto de seus sete álbuns e mais de 15 anos de carreira, contando a partir de “Pablo honey”(1993), o Radiohead construiu uma personalidade sofisiticada o suficiente para agradar aos ouvidos mais diversos. Tanto a fase roqueira, com guitarras em primeiro plano, quanto a mais experimental, repleta de efeitos eletrônicos, soam perfeitamente coesas durante o show. Vale ressaltar, ainda, a fidelidade dos músicos às versões de estúdio. Enquanto isso, os telões e a iluminação do palco dão ao espetáculo uma atmosfera cinematográfica.
E, se por um lado a apresentação sugere um clima mais contemplativo, por outro a atitude no palco não é nada fria. Thom Yorke pode não ter o carisma de um Bono ou de um Michael Stipe, mas sabe comandar a plateia à sua maneira, seja tocando diferentes instrumentos, dando pulos ou fazendo dancinhas – à parte o fato de que ele dá a cada faixa uma interpretação ímpar.
Seguem-se mais músicas do disco novo - “All I need”, “Nude”, “Weird fishes/Arpeggi”, “Faust arp”, “Jigsaw falling into place”-, além de “No surprises”, “I might be wrong”, “Street spirit (fade out)”, “How to disappear completely”, “Paranoid android”, “Everything in its right place”, entre outras, antes que Thom Yorke se pronuncie, em um dos raros momentos em que conversa com o público. “Esta é por todas as vezes que a América do Norte tentou f… com vocês”, mandou o vocalista, ao começar o segundo bis com “You and whose army?”, de “Amnesiac” (2001).
RADIOHEAD – SETLIST – APOTEOSE 20/03/2009
15 step
Airbag
There There
All I Need
Karma Police
Nude
Weird Fishes/Arpeggi
The National Anthem
The Gloaming
Faust Arp
No Surprises
Jigsaw Falling Into Place
Idioteque
I Might Be Wrong
Street Spirit (Fade Out)
Bodysnatchers
How To Disappear Completely
Encore 1
Videotape
Paranoid Android
House of Cards
Just
Everything In It’s Right Place
Encore 2
You And Whose Army?
Reckoner
Creep
Antes mesmo que subissem ao palco, o aviso exibido nos telões – o grupo pedia que não se usassem flashes nem câmeras fotográficas durante o espetáculo – foi solenemente ignorado. Assim que Thom Yorke (vocais, guitarra, piano), Jonny Greenwood (guitarra), Ed O'Brien (guitarra), Colin Greenwood (baixo, sintetizador) e Phil Selway (bateria, percussão) surgiram, batendo palmas, ao som de “15 step”, todos os celulares já estavam apontados.
“Boa noite, nós somos o Radiohead”, anunciou o vocalista em português. O repertório mesclou faixas do mais novo trabalho da banda, “In rainbows” (2007), com canções mais antigas, a exemplo de “Airbag”, e “Karma police”, do clássico “Ok computer”(1997); “The national anthem”, do disco “Kid A” (2000); ou “There there”, de “Hail to the thief (2003), só para citar a primeira metade do show. Ao vivo, aliás, o grupo deixou claro o motivo pelo qual era (e ainda é, já que a apresentação dos ingleses em São Paulo é neste domingo, 22) uma das atrações mais aguardadas por aqui.
Do alto de seus sete álbuns e mais de 15 anos de carreira, contando a partir de “Pablo honey”(1993), o Radiohead construiu uma personalidade sofisiticada o suficiente para agradar aos ouvidos mais diversos. Tanto a fase roqueira, com guitarras em primeiro plano, quanto a mais experimental, repleta de efeitos eletrônicos, soam perfeitamente coesas durante o show. Vale ressaltar, ainda, a fidelidade dos músicos às versões de estúdio. Enquanto isso, os telões e a iluminação do palco dão ao espetáculo uma atmosfera cinematográfica.
E, se por um lado a apresentação sugere um clima mais contemplativo, por outro a atitude no palco não é nada fria. Thom Yorke pode não ter o carisma de um Bono ou de um Michael Stipe, mas sabe comandar a plateia à sua maneira, seja tocando diferentes instrumentos, dando pulos ou fazendo dancinhas – à parte o fato de que ele dá a cada faixa uma interpretação ímpar.
Seguem-se mais músicas do disco novo - “All I need”, “Nude”, “Weird fishes/Arpeggi”, “Faust arp”, “Jigsaw falling into place”-, além de “No surprises”, “I might be wrong”, “Street spirit (fade out)”, “How to disappear completely”, “Paranoid android”, “Everything in its right place”, entre outras, antes que Thom Yorke se pronuncie, em um dos raros momentos em que conversa com o público. “Esta é por todas as vezes que a América do Norte tentou f… com vocês”, mandou o vocalista, ao começar o segundo bis com “You and whose army?”, de “Amnesiac” (2001).
RADIOHEAD – SETLIST – APOTEOSE 20/03/2009
15 step
Airbag
There There
All I Need
Karma Police
Nude
Weird Fishes/Arpeggi
The National Anthem
The Gloaming
Faust Arp
No Surprises
Jigsaw Falling Into Place
Idioteque
I Might Be Wrong
Street Spirit (Fade Out)
Bodysnatchers
How To Disappear Completely
Encore 1
Videotape
Paranoid Android
House of Cards
Just
Everything In It’s Right Place
Encore 2
You And Whose Army?
Reckoner
Creep
sexta-feira, fevereiro 06, 2009
Tarô
Seu Arcano Pessoal é:
19 - O SOL
Palavras-Chave:
Criatividade e Alegria.
Acontecimento marcante a nível psicológico por volta dos 19 anos;
O pai como energia solar em sua Vida: ligação poderosa;
Espírito empreendedor;
Busca o máximo de conscientização;
Bom humor;
Ilumina os ambientes;
Calor humano;
Cuidado com o orgulho;
Não queira ser o centro das atenções;
Pode ser colocada na berlinda;
Sinceridade e franqueza;
Temperamento expansivo;
Narcisismo;
Impetuosidade e ousadia;
Quer ver todos a volta felizes;
Gosto pelas artes em geral;
Atração pelos brilhos ou coisas douradas;
Caminhe e esteja em contato com a força solar;
Coração aberto a todos;
Proteção e preservação;
Quer e busca clareza em tudo;
Auto-confiança;
Relacionar-se é viver intensamente;
Festivo(a) ou divertido(a);
Não deixe que ninguém interfira em seus sonhos;
Galhardia;
Precisa se expressar de todas as formas;
Cuidado com a infidelidade (sua ou dos outros);
Voluntariosa;
Aposta na própria capacidade;
Detesta pendências;
Irrita-se por não obter reconhecimento;
Quer ser especial para todos;
Vença as vaidades ou caprichos;
Gosto por viagens e aventuras;
Precisa focalizar suas metas;
Saiba dar prioridade a cada coisa;
Vença a ansiedade;
Evite a desorganização;
Ótimo(a) anfitrião(ã);
Cuide dos olhos, coração, sangue, cabelos;
Vontade de fazer algo maior em Vida;
Cuidado com o extremismo;
Não cobre dos outros o que não podem dar;
Ponderância quanto a dinheiro;
Precisa exercitar-se sempre;
Saiba usar sua liderança com moderação;
Não seja prepotente;
Magnânimo(a) ou nobreza de espírito.
19 - O SOL
Palavras-Chave:
Criatividade e Alegria.
Acontecimento marcante a nível psicológico por volta dos 19 anos;
O pai como energia solar em sua Vida: ligação poderosa;
Espírito empreendedor;
Busca o máximo de conscientização;
Bom humor;
Ilumina os ambientes;
Calor humano;
Cuidado com o orgulho;
Não queira ser o centro das atenções;
Pode ser colocada na berlinda;
Sinceridade e franqueza;
Temperamento expansivo;
Narcisismo;
Impetuosidade e ousadia;
Quer ver todos a volta felizes;
Gosto pelas artes em geral;
Atração pelos brilhos ou coisas douradas;
Caminhe e esteja em contato com a força solar;
Coração aberto a todos;
Proteção e preservação;
Quer e busca clareza em tudo;
Auto-confiança;
Relacionar-se é viver intensamente;
Festivo(a) ou divertido(a);
Não deixe que ninguém interfira em seus sonhos;
Galhardia;
Precisa se expressar de todas as formas;
Cuidado com a infidelidade (sua ou dos outros);
Voluntariosa;
Aposta na própria capacidade;
Detesta pendências;
Irrita-se por não obter reconhecimento;
Quer ser especial para todos;
Vença as vaidades ou caprichos;
Gosto por viagens e aventuras;
Precisa focalizar suas metas;
Saiba dar prioridade a cada coisa;
Vença a ansiedade;
Evite a desorganização;
Ótimo(a) anfitrião(ã);
Cuide dos olhos, coração, sangue, cabelos;
Vontade de fazer algo maior em Vida;
Cuidado com o extremismo;
Não cobre dos outros o que não podem dar;
Ponderância quanto a dinheiro;
Precisa exercitar-se sempre;
Saiba usar sua liderança com moderação;
Não seja prepotente;
Magnânimo(a) ou nobreza de espírito.
terça-feira, janeiro 06, 2009
Accelerate - REM
Sinking fast, the weight chained to my feet
No time to argue with belief
I'm not alone, a thousand others dropping
Faster than me
What put me here?
Nothing to hold on to
Nowhere to brake
Where is the ripcord, the trapdoor, the key?
Where is the cartoon escape-hatch for me?
No time to question the choices I make
I've got to follow another direction (although fall down is much cooler)
The last thing I remember was climbing up the stairs
I threw the window open in challenge and despair
I don't know what I needed
I needed time
I needed to escape
I saw the future turn
Upside-down and hesitate.
Where is the ripcord, the trapdoor, the key?
Where is the cartoon escape-hatch for me?
No time to question the choices I make
I've got to follow another direction
Accelerate.
The vista I see now is changing
Uncertainty is suffocating
Our hope has never felt so great and
Lit up down
A pounding pulse
To make it go
Make it slow down,
Go.
The city's burning, it's like it's ready to explode
Accelerate to make it slow
Make it go
Accelerate to make it slow
Make it go
I'm incomplete
I'm incomplete
I'm incomplete.
No time to argue with belief
I'm not alone, a thousand others dropping
Faster than me
What put me here?
Nothing to hold on to
Nowhere to brake
Where is the ripcord, the trapdoor, the key?
Where is the cartoon escape-hatch for me?
No time to question the choices I make
I've got to follow another direction (although fall down is much cooler)
The last thing I remember was climbing up the stairs
I threw the window open in challenge and despair
I don't know what I needed
I needed time
I needed to escape
I saw the future turn
Upside-down and hesitate.
Where is the ripcord, the trapdoor, the key?
Where is the cartoon escape-hatch for me?
No time to question the choices I make
I've got to follow another direction
Accelerate.
The vista I see now is changing
Uncertainty is suffocating
Our hope has never felt so great and
Lit up down
A pounding pulse
To make it go
Make it slow down,
Go.
The city's burning, it's like it's ready to explode
Accelerate to make it slow
Make it go
Accelerate to make it slow
Make it go
I'm incomplete
I'm incomplete
I'm incomplete.
Running up that hill
It doesn't hurt me
You want to feel how it feels
You want to know, know that it doesn't hurt me
You want to hear about the deal I'm making
You ...
You and me
And if I only could
I'd make a deal with God
And I'd get him to swap our places
Be running up that road
Be running up that hill
Be running up that building
If I only could oh...
You don't want to hurt me
But see how deep the bullet lies
Unaware I'm tearing you asunder
Oh there is thunder in our hearts , baby
Is there so much hate for the ones we love
Tell me we both matter don't we
You ..
You and me
You and me, you won't be unhappy
And if I only could
I'd make a deal with god
And I'd get him to swap our places
Be running up that road
Be running up that hill
Be running up that building
If I only could oh...
Come on baby, come on darling
Let me steal this moment from you now
Come on angel, come on, come on darling
Let's exchange the experience,
Oh...
And if I only could
I'd make a deal with God
And I'd get him to swap our places
Be running up that road
Be running up that hill
No problems...
You want to feel how it feels
You want to know, know that it doesn't hurt me
You want to hear about the deal I'm making
You ...
You and me
And if I only could
I'd make a deal with God
And I'd get him to swap our places
Be running up that road
Be running up that hill
Be running up that building
If I only could oh...
You don't want to hurt me
But see how deep the bullet lies
Unaware I'm tearing you asunder
Oh there is thunder in our hearts , baby
Is there so much hate for the ones we love
Tell me we both matter don't we
You ..
You and me
You and me, you won't be unhappy
And if I only could
I'd make a deal with god
And I'd get him to swap our places
Be running up that road
Be running up that hill
Be running up that building
If I only could oh...
Come on baby, come on darling
Let me steal this moment from you now
Come on angel, come on, come on darling
Let's exchange the experience,
Oh...
And if I only could
I'd make a deal with God
And I'd get him to swap our places
Be running up that road
Be running up that hill
No problems...
Hounds of Love
When I was a child:
Running in the night,
Afraid of what might be
Hiding in the dark,
Hiding in the street,
And of what was following me...
Now hounds of love are hunting.
I've always been a coward,
And I don't know what's good for me.
Here I go!
It's coming for me through the trees.
Help me, someone!
Help me, please!
Take my shoes off,
And throw them in the lake,
And I'll be
Two steps on the water.
I found a fox
Caught by dogs.
He let me take him in my hands.
His little heart,
It beats so fast,
And I'm ashamed of running away
From nothing real--
I just can't deal with this,
But I'm still afraid to be there,
Among your hounds of love,
And feel your arms surround me.
I've always been a coward,
And never know what's good for me.
Oh, here I go!
Don't let me go!
Hold me down!
It's coming for me through the trees.
Help me, darling,
Help me, please!
Take my shoes off
And throw them in the lake,
And I'll be
Two steps on the water.
I don't know what's good for me.
I don't know what's good for me.
I need your love love love love love, yeah!
Your love!
Take your shoes off
And throw them in the lake!
Do you know what I really need?
Do you know what I really need?
I need love love love love love, yeah!
Running in the night,
Afraid of what might be
Hiding in the dark,
Hiding in the street,
And of what was following me...
Now hounds of love are hunting.
I've always been a coward,
And I don't know what's good for me.
Here I go!
It's coming for me through the trees.
Help me, someone!
Help me, please!
Take my shoes off,
And throw them in the lake,
And I'll be
Two steps on the water.
I found a fox
Caught by dogs.
He let me take him in my hands.
His little heart,
It beats so fast,
And I'm ashamed of running away
From nothing real--
I just can't deal with this,
But I'm still afraid to be there,
Among your hounds of love,
And feel your arms surround me.
I've always been a coward,
And never know what's good for me.
Oh, here I go!
Don't let me go!
Hold me down!
It's coming for me through the trees.
Help me, darling,
Help me, please!
Take my shoes off
And throw them in the lake,
And I'll be
Two steps on the water.
I don't know what's good for me.
I don't know what's good for me.
I need your love love love love love, yeah!
Your love!
Take your shoes off
And throw them in the lake!
Do you know what I really need?
Do you know what I really need?
I need love love love love love, yeah!
sábado, janeiro 03, 2009
Cão sem Dono
É nas noites que eu passo sem sono
Entre o copo, a vitrola e a fumaça
Que ergo a torre do meu abandono
E que caio em desgraça
É nas horas em que a noite faz frio
E a lembrança ao castigo me arrasta
Solidão é o carrasco sombrio
E a saudade a vergasta
Se eu cantar a alegria sai falsa
Se eu calar a tristeza começa
E eu prefiro dançar uma valsa
Que ouvir uma peça
E eu recuo, eu prossigo e eu me agito
Eu me omito, eu me envolvo e eu me abalo
Eu me irrito, eu odeio, eu hesito
Eu reflito e me calo.
Composição: Sueli Costa / Paulo Cesar Pinheiro
Entre o copo, a vitrola e a fumaça
Que ergo a torre do meu abandono
E que caio em desgraça
É nas horas em que a noite faz frio
E a lembrança ao castigo me arrasta
Solidão é o carrasco sombrio
E a saudade a vergasta
Se eu cantar a alegria sai falsa
Se eu calar a tristeza começa
E eu prefiro dançar uma valsa
Que ouvir uma peça
E eu recuo, eu prossigo e eu me agito
Eu me omito, eu me envolvo e eu me abalo
Eu me irrito, eu odeio, eu hesito
Eu reflito e me calo.
Composição: Sueli Costa / Paulo Cesar Pinheiro
terça-feira, dezembro 30, 2008
Wild is the wind
Love me love me love me
Say you do
Let me fly away
With you
For my love is like
The wind
And wild is the wind
Give me more
Than one caress
Satisfy this
Hungriness
Let the wind
Blow through your heart
For wild is the wind
You...
Touch me...
I hear the sound
Of mandolins
You...
Kiss me...
With your kiss
My life begins
Youre spring to me
All things
To me
Don't you know you're
Life itself
Like a leaf clings
To a tree
Oh my darling,
Cling to me
For we're creatures
Of the wind
And wild is the wind
So wild is the wind
Say you do
Let me fly away
With you
For my love is like
The wind
And wild is the wind
Give me more
Than one caress
Satisfy this
Hungriness
Let the wind
Blow through your heart
For wild is the wind
You...
Touch me...
I hear the sound
Of mandolins
You...
Kiss me...
With your kiss
My life begins
Youre spring to me
All things
To me
Don't you know you're
Life itself
Like a leaf clings
To a tree
Oh my darling,
Cling to me
For we're creatures
Of the wind
And wild is the wind
So wild is the wind
segunda-feira, dezembro 22, 2008
Lyrics: I'm yours, Jason Mraz
Well you done done me and you bet I felt it
I tried to be chill but you're so hot that I melted
I fell right through the cracks, now I'm trying to get back
Before the cool done run out, I'll be giving it my bestest
And nothing's going to stop me but divine intervention
I reckon it's again my turn to win some or learn some
But I won't hesitate no more, no more
It cannot wait, I'm yours
Well open up your mind and see like me
Open up your plans and damn you're free
Look into your heart and you'll find love love love love
Listen to the music of the moment people, dance and sing
We're just one big family
And it's our God-forsaken right to be loved loved loved loved loved
So I won't hesitate no more, no more
It cannot wait, I'm sure
There's no need to complicate, our time is short
This is our fate, I'm yours
D-d-do do you, but do you, d-d-do
But do you want to come on
Scooch on over closer dear
And I will nibble your ear
I've been spending way too long checking my tongue in the mirror
And bending over backwards just to try to see it clearer
But my breath fogged up the glass
And so I drew a new face and I laughed
I guess what I be saying is there ain't no better reason
To rid yourself of vanities and just go with the seasons
It's what we aim to do, our name is our virtue
But I won't hesitate no more, no more
It cannot wait, I'm yours
I tried to be chill but you're so hot that I melted
I fell right through the cracks, now I'm trying to get back
Before the cool done run out, I'll be giving it my bestest
And nothing's going to stop me but divine intervention
I reckon it's again my turn to win some or learn some
But I won't hesitate no more, no more
It cannot wait, I'm yours
Well open up your mind and see like me
Open up your plans and damn you're free
Look into your heart and you'll find love love love love
Listen to the music of the moment people, dance and sing
We're just one big family
And it's our God-forsaken right to be loved loved loved loved loved
So I won't hesitate no more, no more
It cannot wait, I'm sure
There's no need to complicate, our time is short
This is our fate, I'm yours
D-d-do do you, but do you, d-d-do
But do you want to come on
Scooch on over closer dear
And I will nibble your ear
I've been spending way too long checking my tongue in the mirror
And bending over backwards just to try to see it clearer
But my breath fogged up the glass
And so I drew a new face and I laughed
I guess what I be saying is there ain't no better reason
To rid yourself of vanities and just go with the seasons
It's what we aim to do, our name is our virtue
But I won't hesitate no more, no more
It cannot wait, I'm yours
Ash Wednesday - TS Elliot
Because I do not hope to turn again
Because I do not hope
Because I do not hope to turn
Desiring this man's gift and that man's scope
I no longer strive to strive towards such things
(Why should the agèd eagle stretch its wings?)
Why should I mourn
The vanished power of the usual reign?
Because I do not hope to know
The infirm glory of the positive hour
Because I do not think
Because I know I shall not know
The one veritable transitory power
Because I cannot drink
There, where trees flower, and springs flow, for there is nothing again
Because I know that time is always time
And place is always and only place
And what is actual is actual only for one time
And only for one place
I rejoice that things are as they are and
I renounce the blessèd face
And renounce the voice
Because I cannot hope to turn again
Consequently I rejoice, having to construct something
Upon which to rejoice...
Because these wings are no longer wings to fly
But merely vans to beat the air
The air which is now thoroughly small and dry
Smaller and dryer than the will
Teach us to care and not to care Teach us to sit still.
Because I do not hope
Because I do not hope to turn
Desiring this man's gift and that man's scope
I no longer strive to strive towards such things
(Why should the agèd eagle stretch its wings?)
Why should I mourn
The vanished power of the usual reign?
Because I do not hope to know
The infirm glory of the positive hour
Because I do not think
Because I know I shall not know
The one veritable transitory power
Because I cannot drink
There, where trees flower, and springs flow, for there is nothing again
Because I know that time is always time
And place is always and only place
And what is actual is actual only for one time
And only for one place
I rejoice that things are as they are and
I renounce the blessèd face
And renounce the voice
Because I cannot hope to turn again
Consequently I rejoice, having to construct something
Upon which to rejoice...
Because these wings are no longer wings to fly
But merely vans to beat the air
The air which is now thoroughly small and dry
Smaller and dryer than the will
Teach us to care and not to care Teach us to sit still.
segunda-feira, dezembro 01, 2008
Rainer Maria Rilke
I am much too alone in this world, yet not alone
enough
to truly consecrate the hour.
I am much too small in this world, yet not small
enough
to be to you just object and thing,
dark and smart.
I want my free will and want it accompanying
the path which leads to action;
and want during times that beg questions,
where something is up,
to be among those in the know,
or else be alone.
I want to mirror your image to its fullest perfection,
never be blind or too old
to uphold your weighty wavering reflection.
I want to unfold.
Nowhere I wish to stay crooked, bent;
for there I would be dishonest, untrue.
I want my conscience to be
true before you;
want to describe myself like a picture I observed
for a long time, one close up,
like a new word I learned and embraced,
like the everday jug,
like my mother's face,
like a ship that carried me along
through the deadliest storm.
You, beloved, who were lost
before the beginning, who never came,
I do not know which sounds might be precious to you.
No longer do I try to recognize you, when, as a surging wave,
something is about to manifest. All the huge
images in me, the deeply-sensed far-away landscapes,
cities and towers and bridges and un-
suspected turns of the path,
the powerful life of lands
once filled with the presence of gods:
all rise with you to find clear meaning in me,
your, forever, elusive one.
You, who are all
the gardens I've ever looked upon,
full of promise. An open window
in a country house—, and you almost stepped
towards me, thoughtfully. Sidestreets I happened upon,—
you had just passed through them,
and sometimes, in the small shops of sellers, the mirrors
were still dizzy with you and gave back, frightened,
my too sudden form.—Who is to say if the same
bird did not resound through us both
yesterday, separate, in the evening?
Loneliness
Being apart and lonely is like rain.
It climbs toward evening from the ocean plains;
from flat places, rolling and remote, it climbs
to heaven, which is its old abode.
And only when leaving heaven drops upon the city.
It rains down on us in those twittering
hours when the streets turn their faces to the dawn,
and when two bodies who have found nothing,
dissapointed and depressed, roll over;
and when two people who despise eachother
have to sleep together in one bed-
that is when loneliness receives the rivers...
Love Song
How can I keep my soul in me, so that
it doesn't touch your soul? How can I raise
it high enough, past you, to other things?
I would like to shelter it, among remote
lost objects, in some dark and silent place
that doesn't resonate when your depths resound.
Yet everything that touches us, me and you,
takes us together like a violin's bow,
which draws *one* voice out of two separate strings.
Upon what instrument are we two spanned?
And what musician holds us in his hand?
Oh sweetest song.
Woman in love
That is my window. Just now
I have so softly wakened.
I thought that I would float.
How far does my life reach,
and where does the night begin
I could think that everything
was still me all around;
transparent like a crystal's
depths, darkened, mute.
I could keep even the stars
within me; so immense
my heart seems to me; so willingly
it let him go again.
whom I began perhaps to love, perhaps to hold.
Like something strange, undreamt-of,
my fate now gazes at me.
For what, then, am I stretched out
beneath this endlessness,
exuding fragrance like a meadow,
swayed this way and that,
calling out and frightened
that someone will hear the call,
and destined to disappear
inside some other life.
I am much too alone in this world, yet not alone
enough
to truly consecrate the hour.
I am much too small in this world, yet not small
enough
to be to you just object and thing,
dark and smart.
I want my free will and want it accompanying
the path which leads to action;
and want during times that beg questions,
where something is up,
to be among those in the know,
or else be alone.
I want to mirror your image to its fullest perfection,
never be blind or too old
to uphold your weighty wavering reflection.
I want to unfold.
Nowhere I wish to stay crooked, bent;
for there I would be dishonest, untrue.
I want my conscience to be
true before you;
want to describe myself like a picture I observed
for a long time, one close up,
like a new word I learned and embraced,
like the everday jug,
like my mother's face,
like a ship that carried me along
through the deadliest storm.
You, beloved, who were lost
before the beginning, who never came,
I do not know which sounds might be precious to you.
No longer do I try to recognize you, when, as a surging wave,
something is about to manifest. All the huge
images in me, the deeply-sensed far-away landscapes,
cities and towers and bridges and un-
suspected turns of the path,
the powerful life of lands
once filled with the presence of gods:
all rise with you to find clear meaning in me,
your, forever, elusive one.
You, who are all
the gardens I've ever looked upon,
full of promise. An open window
in a country house—, and you almost stepped
towards me, thoughtfully. Sidestreets I happened upon,—
you had just passed through them,
and sometimes, in the small shops of sellers, the mirrors
were still dizzy with you and gave back, frightened,
my too sudden form.—Who is to say if the same
bird did not resound through us both
yesterday, separate, in the evening?
Loneliness
Being apart and lonely is like rain.
It climbs toward evening from the ocean plains;
from flat places, rolling and remote, it climbs
to heaven, which is its old abode.
And only when leaving heaven drops upon the city.
It rains down on us in those twittering
hours when the streets turn their faces to the dawn,
and when two bodies who have found nothing,
dissapointed and depressed, roll over;
and when two people who despise eachother
have to sleep together in one bed-
that is when loneliness receives the rivers...
Love Song
How can I keep my soul in me, so that
it doesn't touch your soul? How can I raise
it high enough, past you, to other things?
I would like to shelter it, among remote
lost objects, in some dark and silent place
that doesn't resonate when your depths resound.
Yet everything that touches us, me and you,
takes us together like a violin's bow,
which draws *one* voice out of two separate strings.
Upon what instrument are we two spanned?
And what musician holds us in his hand?
Oh sweetest song.
Woman in love
That is my window. Just now
I have so softly wakened.
I thought that I would float.
How far does my life reach,
and where does the night begin
I could think that everything
was still me all around;
transparent like a crystal's
depths, darkened, mute.
I could keep even the stars
within me; so immense
my heart seems to me; so willingly
it let him go again.
whom I began perhaps to love, perhaps to hold.
Like something strange, undreamt-of,
my fate now gazes at me.
For what, then, am I stretched out
beneath this endlessness,
exuding fragrance like a meadow,
swayed this way and that,
calling out and frightened
that someone will hear the call,
and destined to disappear
inside some other life.
terça-feira, novembro 25, 2008
It's been a long time
É, faz tempo que não escrevo aqui. Não estou conseguindo entrar no meu blog oficial, então uso esse aqui. Mas não tenho sentido muita vontade de escrever, exceto emails. My heart's a mess, my life is a mess, o que pode muito bem ser descrito pelo caos que se instaurou no apartamento. I'm not a housewife.
Toda essa indefinição que me cerca está me levando à um mudo desespero. A love so distant that can't give real comfort. Tudo se desmancha no ar. Nem meu taekwondo posso fazer, devido à tal ruptura do ligamento do joelho. It's a long story.O médico quer operar e estou meio temerosa, como sempre adiando as coisas.
Flooded with melancholic passion and restrained hope, The Dull Flame of Desire sees Björk accompanied on vocals by Antony Hegarty from Antony & The Johnsons. The Dull Flame of Desire’ features lyrics taken from a translation of a poem by Fyodor Tyutchev as it appears in the film ‘Stalker’ by Andrei Tarkovsky. Taken from her most recent studio album ‘Volta’, ‘Dull Flame’ is written and produced by Björk and follows recent singles ‘Earth Intruders’, ‘Declare Independence’, ‘Innocence’ and ‘Wanderlust’.
I love your eyes, my dear
Their splendid, sparkling fire
When suddenly you raise them so
To cast a swift embracing glance
Like lightning flashing in the sky
But there’s a charm that is greater still :
When my love’s eyes are lowered
When all is fired by passions kiss
And through the downcast lashes
I see the dull flame of desire
And through the downcast lashes
I see the dull flame of desire
(I love your dear eyes, my friend,
With their play so bright and wondrous,
When you promptly rise them, and,
Like with a lightning in the wildness,
Embrace at once the whole land.
But there's more fabulous attraction:
The eyes directed to the floor
During the crazy osculation,
And through the lashes, set before,
The dusk and gloomy flame of passion.) Do original russo.
Toda essa indefinição que me cerca está me levando à um mudo desespero. A love so distant that can't give real comfort. Tudo se desmancha no ar. Nem meu taekwondo posso fazer, devido à tal ruptura do ligamento do joelho. It's a long story.O médico quer operar e estou meio temerosa, como sempre adiando as coisas.
Flooded with melancholic passion and restrained hope, The Dull Flame of Desire sees Björk accompanied on vocals by Antony Hegarty from Antony & The Johnsons. The Dull Flame of Desire’ features lyrics taken from a translation of a poem by Fyodor Tyutchev as it appears in the film ‘Stalker’ by Andrei Tarkovsky. Taken from her most recent studio album ‘Volta’, ‘Dull Flame’ is written and produced by Björk and follows recent singles ‘Earth Intruders’, ‘Declare Independence’, ‘Innocence’ and ‘Wanderlust’.
I love your eyes, my dear
Their splendid, sparkling fire
When suddenly you raise them so
To cast a swift embracing glance
Like lightning flashing in the sky
But there’s a charm that is greater still :
When my love’s eyes are lowered
When all is fired by passions kiss
And through the downcast lashes
I see the dull flame of desire
And through the downcast lashes
I see the dull flame of desire
(I love your dear eyes, my friend,
With their play so bright and wondrous,
When you promptly rise them, and,
Like with a lightning in the wildness,
Embrace at once the whole land.
But there's more fabulous attraction:
The eyes directed to the floor
During the crazy osculation,
And through the lashes, set before,
The dusk and gloomy flame of passion.) Do original russo.
sexta-feira, junho 29, 2007
Interpol - Pioneer to the falls
Show me the dirt pile
And I will pray
That the soul can take
Three stowaways
You vanish with no guile
And I will not pay
But the soul can wait
The soul can wait
Your hair is still pretty
What with all these leafs
We'll be fine
We'll be fine
But if it's still pretty
What with all these leafs
We'll be fine... Oh
And supervised
Show me the dirt pile
And I will pray
That the soul can take
Three stowaways
Then you vanish with no guile
And I will not pay
But the soul can wait
I felt you so much today
I know you try
You try straight into my heart
You fly straight into my heart
Girl I know you try
You fly straight into my heart
You fly straight into my heart
But here comes the fault
So much for me believing that soul
So much of dreams to see are not prepared to know
Your heart makes me feel
Your heart makes me moan
For always and ever I'll never let go
Always concealed safe and inside, alive
The men of Interpol have kept us waiting three years for their third album, Our Love to Admire. "Pioneer to the Falls", the disc's moody (what else?) opener, doesn't rush to make its point, either. Nor does it disappoint. A dark, brittle guitar line similar to pre-Turn on the Bright Lights live rarity "Cubed" (also known as "Mascara") joins sparse piano and melancholy strings before Paul Banks' harrowed, Jim Morrison-like voice comes in, again beseeching patience: "The soul can wait." Interpol's rhythm section enters a verse later, then drops to a heartbeat on a bridge that floats in space-- "You fly straight into my heart," Banks croons, distant yet vulnerable-- until at last a trilling guitar solo soars above it all, for an emotional effect similar to the one generated by the solo on Radiohead's "Creep". "I felt you so much today," Banks concludes, as rumbling toms and rising orchestration contrast with that stately opening riff, betraying impatience, perhaps, but no hurry...(Posted by Marc Hogan - Pitchfork)
I can listen to this song over and over, specially that part when he sings: you fly straight into my heart....
And I will pray
That the soul can take
Three stowaways
You vanish with no guile
And I will not pay
But the soul can wait
The soul can wait
Your hair is still pretty
What with all these leafs
We'll be fine
We'll be fine
But if it's still pretty
What with all these leafs
We'll be fine... Oh
And supervised
Show me the dirt pile
And I will pray
That the soul can take
Three stowaways
Then you vanish with no guile
And I will not pay
But the soul can wait
I felt you so much today
I know you try
You try straight into my heart
You fly straight into my heart
Girl I know you try
You fly straight into my heart
You fly straight into my heart
But here comes the fault
So much for me believing that soul
So much of dreams to see are not prepared to know
Your heart makes me feel
Your heart makes me moan
For always and ever I'll never let go
Always concealed safe and inside, alive
The men of Interpol have kept us waiting three years for their third album, Our Love to Admire. "Pioneer to the Falls", the disc's moody (what else?) opener, doesn't rush to make its point, either. Nor does it disappoint. A dark, brittle guitar line similar to pre-Turn on the Bright Lights live rarity "Cubed" (also known as "Mascara") joins sparse piano and melancholy strings before Paul Banks' harrowed, Jim Morrison-like voice comes in, again beseeching patience: "The soul can wait." Interpol's rhythm section enters a verse later, then drops to a heartbeat on a bridge that floats in space-- "You fly straight into my heart," Banks croons, distant yet vulnerable-- until at last a trilling guitar solo soars above it all, for an emotional effect similar to the one generated by the solo on Radiohead's "Creep". "I felt you so much today," Banks concludes, as rumbling toms and rising orchestration contrast with that stately opening riff, betraying impatience, perhaps, but no hurry...(Posted by Marc Hogan - Pitchfork)
I can listen to this song over and over, specially that part when he sings: you fly straight into my heart....
quinta-feira, junho 14, 2007
Gerard Butler at the airport

This!!!!!!! is!!!!!!!!!!! Gerard!!!!!!!!!!!!!
Gerard Butler, aka King Leonidas in 300, takes to the skies and departs from LAX airport on Wednesday in Los Angeles. The Scottish stud was recognized by fans while waiting on the security line. Friendly as always, he took the time to greet them before passing through the metal detectors.
Gerard, 37, was in Japan earlier this week for a 300 promotional tour. You can check out videos of his appearances here.
Thanks to Jared!
quarta-feira, junho 13, 2007
No one would listen
No one but her
Heard as the outcast hears.
Shamed into solitude
Shunned by the multitude
I learned to listen
In my dark, my heart heard music.
I longed to teach the world
Rise up and reach the world
No one would listen
I alone could hear the music
Then at last, a voice in the gloom
Seemed to cry "I hear you;
I hear your fears,
Your torment and your tears."
She saw my loneliness
Shared in my emptiness
No one would listen
No one but her
Heard as the outcast hears...
terça-feira, junho 12, 2007
300 Reasons Why I Love Gerard Butler






1)He looks too good in a kilt
2)He looks hot wearing a tie
3)He looks handsome when he serious
4)He shines when he smiles
5)His eyes are amazing
6)His mouth is a temptation
7)His voice is incredibly sexy
8)His accent is wonderful
9)He treats his fans with love
10)His laughter is contagious
You're a rising star
You're the getaway car
You're the line in the sand
When I go to far
You're the swimming pool
On an august day
And you're the perfect thing to see
And you play it coy but it's kinda cute
Oh when you smile at me you know exactly what you do
Baby don't pretend that you don't know it's true
Cause you can see it when I look at you
And in this crazy life
And through these crazy times
It's you
It's you
You make me sing
You're every line
You're every word
You're everything
You're a carousel
You're a wishing well
And you light me up
When you ring my bell
You're a mystery
You're from outer space
You're every minute of my every day...
segunda-feira, junho 04, 2007
You're simply the best

I call you when I need you, my heart's on fire
You come to me, come to me wild and wild
When you come to me
Give me everything I need
Give me a lifetime of promises and a world of dreams
Speak a language of love like you know what it means
And it can't be wrong
Take my heart and make it strong baby
You're simply the best, better than all the rest
Better than anyone, anyone I've ever met
I'm stuck on your heart, and hang on every word you say
Tear us apart, baby I would rather be dead
In your heart I see the star of every night and every day
In your eyes I get lost, I get washed away
Just as long as I'm here in your arms
I could be in no better place
You're simply the best, better than all the rest
Better than anyone, anyone I've ever met
I'm stuck on your heart, and hang on every word you say
Tear us apart, baby I would rather be dead
Each time you leave me I start losing control
You're walking away with my heart and my soul
I can feel you even when I'm alone
Oh baby, don't let go...
Ele não é lindo? Gerard Butler, simply the best!
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